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LANA SINGS THE WORLD ON FIRE
Katie Darby Mullins
What sets off the apocalypse? We haven’t
translated the Bible in so long, I don’t know
if horsemen are now Robert Kardashian’s kids,
helping keep the guilty alive and wealthy, the poor
stuck in jail for pot. I could try something clever,
some fake etymology, “whore’s men,” but you
and I know it’s a stretch at best, at worst, living proof
I should not be writing about serious trouble.
Trouble, though, is all there is,
when suddenly you are on an island, and it is engulfed,
one side with flames, one with water, and choose—
which death do you want? Somehow you know
the water is flame retardant. You will burn or drown.
But Lana Del Rey, she says, if this is it, well
it was fun and she’s signing off, but I’ve learned
the ends of her songs are often high-noted lies,
whispered over her string torch vocals. How can we trust
when she says she’s unplugging, but wait—the livestream—
it’s almost on.
—Twice this week,
I have had people I love beg me to take care of myself
And I don’t know why those messages don’t click
the way they should: I can see through thick glass
that means these people love me back, but sometimes worry,
that’s the only way we know how to love each other.
Is that love? It is, isn’t it?
This is it: world wide, people are learning how to pretend
they still hope and that there’s a prayer someone
will love them the way they want and need to be loved
even though we are so far from ever being good enough.
And I am embarrassed of how long it has been since
I bared my teeth, full of blood, and really allowed
the animal in me some space to breathe. I ache
in every worthless muscle, trying to be a conduit
for the people around me. Am I happy?
Who cares. At least I can say I’m not sad. But Lana,
if you are out there: I’m listening for our new horsemen.
I think the fourth rider is the livestream. I think the clock is counting
the seconds until we watch the world go up in flames—
"The Greatest" by Lana Del Ray
Katie Darby Mullins is a writer and the founder of the Apologist, which publishes love letters to moving art. She has recently had work in Barrelhouse, Long Story,Short, and HAD. She helped found the Underwater Sunshine Fest, a music festival. Her first book, Neuro, Typical: Chemical Reactions & Trauma Bonds came out on Summer Camp Press. Her most recent book, Me & Phil, is out through Kelsay Books.
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